LE AMICHE - Les AmiesLE AMICHE - Les AmiesLE AMICHE - Les AmiesLE AMICHE - Les AmiesLE AMICHE - Les AmiesLE AMICHE - Les AmiesLE AMICHE - Les AmiesLE AMICHE - Les Amies

LE AMICHE - Les Amies

Massimo Campigli | 1958

color lithography on Rives paper, made in 1958 limited edition, numbered 133/175 in lower left corner signed in pencil by artist paper size: 66 x 50,7 cm framed size: 72 x 65 circa Blindstamp: L'Oeuvre Gravée in lower left corner excellent conditions, never been framed before A regular certificate of authenticity and publication will be included Fast and Tracked shipping with express currier DHL Bibliography: Campigli Catalogo ragionato dell’opera grafica 1930-1969 Francesco Meloni Graphis Arte

Tecnical Information

Artist Massimo Campigli
Year 1958
Signature signed in pencil in lower right corner by artist
Edition 133 / 175
Class limited edition
Type Print
Material Color lithography on Rives paper
Size (cm) 65.00 x 72.00 x 3.50
Size (in) 25.59 x 28.35 x 1.38


Massimo Campigli

Italian, 1895–1971

Massimo Campigli began his career as a journalist, writing for Futurist and Avant-garde magazines in Italy in the 1910s. After being taken as a prisoner of war during World War I, Campigli served as a foreign correspondent in Paris in 1919 before joining the “Paris Italians” artist group, which also included the Futurist Gino Severini and the Pittura Metafisica painter Giorgio de Chirico. Campigli began depicting almond-eyed, frozen figures in 1928 when a trip to Rome’s Villa Giulia left the artist fascinated with Etruscan Art—the art produced in Italy between the 9th and 2nd centuries BCE. His most iconic works—pale, fresco-like paintings of women—mirrored a broader European revival of Ancient art as a response to the horrors of World War I.


LE AMICHE - Les Amies

Massimo Campigli, 1958
Edition 133/175


Massimo Campigli, 1957
Edition 136/200

NELLE RISAIE - Dans les Rizières

Massimo Campigli, 1958
Edition 161/175